Ah Leon's Memories of a Classroom Essay Example | Topics and Well Written Essays - 750 words

Ah Leons Memories of a Classroom - Essay ExampleThis essay compares and contrasts two divergent forms of art -- Ah Leons Memories of round-eyed School and James Sienas exhibit Compare, Contrast, attach in terms of emotional appeal, form, and theme. While Ah Leons Memories of Elementary School and James Sienas Compare, Contrast, Connect are ostensibly divergent forms of artistic expression, t here are a number of comparative aspects in terms of emotional appeal. Leons exhibit is a conceptual piece that recreates an elementary school setting conversely, Sienas exhibit contains four etchings with juxtaposed images and colors. In terms of emotional appeal, Leons work harkens binding to memories of childhood and the process of education. This is contrasted with Sienas work that is more highly abstract, as it depicts vague exploratory images. In these regards, Sienas work plays more on forecast and intuitive emotions through its elaborate color design and vivid imagery. Still, its cle ar that some(prenominal) images share some emotional qualities. In these regards, they are both clearly concerned with challenging intellectual quandaries. Although Leons work contains emotional nostalgia, and Sienas direct emotional appeal, there is also a removed discriminate of intellectualism inherent in both works. Another prominent consideration in terms of these works of art is their form. inside this context of understanding, the works perhaps evince their most divergent qualities. The first consideration in these regards is Leons Memories of an Elementary School as noted above this is broadly characterized through its depiction of place and chairs of a Taiwanese elementary school. Within this work there is strong regimentation as well as etchings in the desks that further add expressionistic expound to the art. In terms of categorical form, Ah Leons work clearly falls under what has been termed conceptual art. In these regards, the art form but questions the nature of art, as well as expresses meaning. This aspect of form can be contrasted from Sienas Compare, Contrast, Connect. This exhibit can be categorically placed within the context of the abstract art movement and is divergent from Leons work in these regards. Indeed, Siena has frequently been characterized for his work in abstraction (Harlan & weaver, 2010). The work functions less as a self-reflexive question on the nature of artistic expression and more of in terms of the artists personal vision. Still, both forms make demands on the ravisher as they force them to consider subtle undertones. In Sienas work this emerges as the viewer is asked to consider the juxtaposition of the four etchings. Ultimately, both forms are on opposing artistic spectrums. A final consideration of these artistic works is in terms of theme. While these works seemingly exemplify divergent thematic structures, its possible to find sympathetic thematic elements. One of the most notable thematic elements of Leon s work is his exploration of the rigidity of Taiwanese education. Within this thematic concern is clearly Leons characteristic exploration of scale. Indeed, its been said of Leons other work that, The effect of Ah Leons obsession with scale here is not simply to stun viewers but to move them (Chung 2000). While Sienas work lacks a thematic investigation of scale, it does explore a similar mode of personal expression. In these regards